is you do much much honor everything remugle your article provoked. J'adjoindrai still my comment, even if only to emphasize the solidarity and strength of ties between the improvisers, in the broadest sense, this piece of land.
Do I say that you are to me utterly unknown, like most of your references, except those few musicians that I can not qualify because of death often coexist and whose work seems ever evolution, and open, and nourished by the encounter with those of my generation.
It seems to me very bold, but highly journalistic reduce a set of heterogeneous practice under the same name as a tool or a way to be able to define an inexorable result. We are not
p! as dogmatic, we are not playing music, but all that seems possible, enjoyable, and carrying within it a spirit of freedom. there is no need to say how this notion is suffering in contemporary society. Free improvisation carries a libertarian spirit and non-hierarchical. non interest public as a social mass that subject to the general order of society is obviously not surprising, as the position of state power with respect to these music.
One day we're playing one another one day, we invent our concert venues, wineries, cafes, cinemas, theaters, bookstores, galleries, private, our instruments, borrowing one another's techniques, adding back extensions, confident their new role! s, our configurations, from solo to orchestra, games, exercises, endangered, reduction or expansion.
freedom and improvisation form attitude passed by the members of a group, so it's not a style or manner of ringing, but a social status to a primordial creation Commons. The music that comes out is another matter, and I do not feel that this is in lack of innovation.
Speaking of computer, since this is my first instrument, it does not presuppose in any way a pre-registration or anything pre-sets, no more than would the tension of a rope on one instrument. He breaks the sound cultural landmarks, it is both intangible and potential realization endless. The computer has forced the musicians to play differently, all as they force constantly remi! is questioning the practice computer.
And finally, talk about music Switzerland, which which is as if our three squares and five cows were cabbage is self-sufficient? A very conservative view that I leave to those of the other side. We are part of a scene without limitation, travel, communications, expansive, sharing, altruistic, we are comrades in thought and practice. If the mountain return the sound of the horn, it does abstract work for us, although we derive above. Our ear is the world, and death, I leave you, salute from me, thank you.
d'incise
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